Finding Tollan at Xochicalco
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Over the course of centuries, beginning with Fray Bernardino de Sahagún's mention during the sixteenth century, the ancient Mesoamerican site of Xochicalco, which is in the state of Morelos, Mexico, has captured the attention of explorers and researchers. The ruins of Xochicalco have continued to inspire a sense of awe among visitors, as well to intrigue the interest of archaeologists and historians. Built upon a series of three hills that is enclosed by multiple mountain ranges, inclusive of the snow-capped peak of Popocatépetl, a panoramic view surrounds the ruins of Xochicalco. While situated in a naturally fortified area, the inhabitants of Xochicalco, for reasons that remain unclear, added rock walls and moats, or what German explorer Baron von Humboldt referred as the “military entrenchments of Xochicalco” in 1810. [1] In addition to Xochicalco being a military fortress, Xochicalco's Temple of Quetzalcoatl is a clear indication that the site was a religious center. The Temple of Quetzalcoatl is positioned precisely at the center of Xochicalco. The hill on which the temple structure is built upon has also been transformed to represent a mountain. A spiraling roadway was carved into the terrace, and from the base to the esplanade on top of the summit, the retaining walls of rock used to support the roadway were coated with stucco to adorn and signify the landscape as sacred space. Moreover, the two hills adjacent to the temple structure of Quetzalcoatl each contain a series of passageways leading through the hill, which feature a total of seven documented cave chambers. However wondrous in feeling this marvel of engineering inspires, if to consider the billions of tons of rock removed to create a sacred mountain accompanied by caves, Xochicalco's history remains a mystery. While a handful of historians assert Xochicalco’s founding as during the Late Classic period of Mesoamerica, A.D. 650 to A.D. 900, archaeological evidence points Xochicalco was rather built during the Formative period. Mexican historian and archaeologist Cecilio A. Robelo (1839-1916), exclaimed when explorers stand “in the presence of [Xochicalco]…thirty centuries are looking upon us.” [2]
The riddle of Xochicalco’s ruins largely derives from its scarce mention in ethno-historical texts and the Temple of Quetzalcoatl, which contains a handful of peculiarities that distinguishes it as innovative as it is puzzling. Xochicalco’s Temple of Quetzalcoatl, like other Mesoamerican temples consecrated to the deity of Quetzalcoatl in Teotihuacán, Cholula, Tula, Tenochtitlán, and Chichén Itzá, is positioned at the center of the settlement, or what Davíd Carrasco refers as the axis mundi. [3] As a point of difference, however, Xochicalco’s Temple of Quetzalcoatl demonstrates a fusion of Teotihuacano and Mayan cultural elements. The incorporation of different cultural elements is evidenced by the engravings of warriors featuring Mayan characteristics, and the use of plumed serpents to narrate the engravings of warriors and date glyphs. Additionally, it is the only known temple structure on record to feature Mayan-style cornices, a unique adaptation to the talud/tablero architectural design, in all the Central Highlands of Mexico. Who built Xochicalco, and when? What was Xochicalco’s primary function, and were there any significant changes to the function of Xochicalco over time? Why is there a huge discrepancy within the timeline (between what is historically asserted versus archaeological backed)? What did Quetzalcoatl mean to the people of Xochicalco? These are a handful of the many questions that have baffled historians and archaeologists.
Xochicalco does provide, however, a wealth of archaeological evidence. Specifically, Mexican and Mexican-American historians and archaeologists like Robelo, Eduardo Noguera (1896-1977), Alfonso Caso (1896-1970), and Davíd Carrasco (1944-present) have analyzed a wide vary of archaeological evidence in an effort to decode the history of Xochicalco. This article utilizes their input to review and examine archaeological evidence related to Xochicalco’s Temple of Quetzalcoatl to explain the site’s history and what Quetzalcoatl meant to Xochicalco.
Firstly, the Temple of Quetzalcoatl indicates Xochicalco's actual founding predates the Classic period. Archaeologist Robelo pointed multiple stages of construction appear in the Temple of Quetzalcoatl. In his work Ruinas de Xochicalco, Robelo estimated the first stage dated as far back to the timing of construction projects undertaken at Teotihuacán, which he accredits to the Vextoti, who migrated from the south to Teotihuacán in the “year 955 before the present era.” [4] Robelo supports his argument by revealing how the east side wall of the temple structure does not exhibit the same rate of weathering and erosion as the other sides. Two investigations, one from 1984 to 1986 and another from 1991 to 1994, which involve radiocarbon dates, affirmed Robelo’s 1888 claim by concluding that a total of three construction stages lied behind the history of Xochicalco’s Temple of Quetzalcoatl. Explanatory as to why a discrepancy exists in the timeline is the lack of transparency over what samples have been extracted from which structure and used for radiocarbon dating. [5] While the use of radiocarbon dates has resulted in the breakthrough discovery of three construction stages, these investigations also minimize any acknowledgement regarding the degree of possibility over how materials excavated may consist of those around the timing of the temple structure's final completion. Moreover, Mexican archaeologist Caso identified one key glyph date located on the front of the temple structure, which reads: 10-Solar Ray (year) and 9-Reptile Eye (day). According to Caso, this date translates as A.D. 743, which is believed to mark the date of its consecration. [6]
Importantly, each stage of construction lends insight to the history of developments in the social structure of Xochicalco. The first model consisted of a room featuring two pillars, which formed a portico. This portico immediately signifies Xochicalco was originally designed to function as a military fortress. The second model shows signs of the structure having been expanded with the addition of two walls and two more pillars. It was not until the third construction stage that this portico became re-purposed as a temple dedicated to Quetzalcoatl.
Xochicalco’s portico turned into the Temple of Quetzalcoatl marks the key transition from Xochicalco prioritizing political-military communication to re-organizing the city in accordance to the Mesoamerican paradigm of primordial order. As Carrasco explains, this paradigm of primordial order consists of a cosmological/earthly setting, the organization of a ceremonial city, and a hero, which are all featured in the legend of Tollan, the mythical capital and kingdom of Quetzalcoatl. [7] Some historians like Silvia Garza Tarazona postulate the idea that “the image of Quetzalcoatl humanized in the Central Highlands originated in Xochicalco.” [8] Given the explicit religious importance of Teotihuacán's Temple of Quetzalcoatl versus the inexplicit religious importance of Xochicalco's artificially terraced hills, the image of Quetzalcoatl is more than likely to have originated in Teotihuacán. However, following the fall of Teotihuacán during the 700s, it does appear Xochicalco first introduced the use of the image of Quetzalcoatl as means to vie for control to fill the power vacuum. Specifically, the elites of Xochicalco legitimized their rule by claiming Xochicalco’s ties to the legend of Quetzalcoatl and his city of Tollan, and perhaps substantiated this claim by re-framing their military citadel into a ceremonial center.
Xochicalco’s key role rests on the revival of ceremonial city traditions associated with Teotihuacán. In post-Teotihuacán Xochicalco, religious ideas shaped and sanctified all levels of leadership and goals set by the ruling elites. The Temple of Quetzalcoatl stood as the central structure for all 25,000 inhabitants living in Xochicalco. Representing the meeting point of “heaven, earth, and hell,” the Temple of Quetzalcoatl functioned to pull in the city’s social energies in return for divine energies needed to disperse sacredness throughout the city. [9] In Xochicalco, the image of Quetzalcoatl was used to sanctify warfare and the protection of residents. The use of Quetzalcoatl’s image to sanctify warfare and the protection of residents is indicated by the proximity of the armory's location, which faced the Temple of Quetzalcoatl. Additionally, the architectural design of the Temple of Quetzalcoatl offers a key insight as to what Quetzalcoatl meant to the ruling elites of Xochicalco. The main motif of plumed serpents that is used to bridge Mayan and Teotihuacano cultural elements is indicative that the image of Quetzalcoatl served to mediate old and new traditions to bring about a new beginning in authoritative rule. Specifically, the imagery appearing on the talud (inward-sloping) panel, which features Mayan-conceptualized warriors wearing a cipactli headdress (known from Teotihuacan's Temple of Quetzalcoatl), suggests a revival of Teotihuacano tradition that has been reformulated “in an ideology of renewal.” [10] The glyph date of 9-Reptile Eye served to officiate and sanctify by the authority of Quetzalcoatl the start of Xochicalco's rule. The timing of this temple's consecration is expressive of Xochicalco's prioritization of attention to detail as part of maintaining cosmological order between the natural and the supernatural realms mediated via Quetzalcoatl.
While reviving Teotihuacano traditions, Xochicalco's rulers strived to create and invent their own traditions. Carrasco explicates that Tollan was envisioned as a place of supernatural abundance, with stories describing how cotton “miraculously” grew in eleven shades of color, and its people remembered for their “feats of discovery, invention, and skill.” [11] Historians such as Debra Nagao believe cotton may have been cultivated and processed at Xochicalco, with the people of Xochicalco gaining access to resources primarily through Xochicalco functioning as a commercial center along trade routes. These trade routes connected Xochicalco with the Toluca Basin, the Balsas River Basin, the Gulf Coast via the Valley of Puebla, and Oaxaca. Xochicalco, in the process of re-branding itself a Tollan, became a cultural junction site giving way to new creative expressions and architectural ingenuity. Relative to Xochicalco's “marginal location in terms of agricultural productivity,” Carrasco explains that Xochicalco's rulers forged trade relations with Teotihuacán, what appears to be El Tajín (central Vera Cruz), and with Tula (during the Post Classic period). [12] Xochicalco’s success in securing trade relations explains how Xochicalco attained objects of “obsidian, green stone, and clay,” and plentiful food sources able to sustain a sizeable population. [13] The fusion of Mayan and Teotihuacano cultural elements observed in Xochicalco's Temple of Quetzalcoatl results from either one, possibly both, events: participation as a commercial center along trade routes facilitating cross-cultural exchanges, and/or the incorporation of former residents of Teotihuacán. In addition to the cornices featured on the Temple of Quetzalcoatl, Xochicalco introduced other innovative architectural designs. Unique to Xochicalco is the use of columns in public courtyards and in caves, an “I” shaped ball court (believed to be a prototype for the ball court in Tula), as well as adding a stela in the middle of shrine platforms.
Xochicalco is an exemplary case of how the legend of Tollan inspired change, if to assess the course of its history from a military fortress to serving as a marketplace, a military citadel, and an administrative center revolved around the worship of Quetzalcoatl, followed by Tláloc. Xochicalco's apogee occurred at the collapse of the city-state of Teotihuacán. This archaeological site is located on a series of natural hills in Morelos, Mexico, which Xochicalco's elites transformed to represent a sacred mountain as part of the society's cosmological vision.
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Xochicalco's Temple of Quetzalcoatl.
Xochicalco's Temple of Quetzalcoatl measures 54.5 feet in height, with its base measuring 69 feet by 61 feet. Much of this temple structure's restoration is accredited to the work of Mexican archaeologist Leopoldo Batres in 1909-1910. | Source: Photograph by Magas777, "Temple of the Feathered Serpent," August 10, 2010. This photo is accredited to the work of Magas777 (author), who took a picture of the temple structure while visiting the Xochicalco site. https://commons.wikimedia.org/wiki/File:Temple_of_the_Feathered_Serpent.jpg
Ruins of the Temple of Quetzalcoatl
This is a photo taken by C.B. Waite, which can be found in Lewis Spence's book. While the date of the photo remains unknown, this photo captures how the temple structure was found prior to restoration work. Part of the temple structure was covered in over 4.9 feet (1.5 meters) of vegetation. Each of the blocks (cut from porphyry quarries) measured 12 feet (approximately 3.65 meters) in length. | Source: Lewis Spence (1874-1955), The Myths of Mexico and Peru (New York: Thomas Y. Crowell Company, 1913), 34. This book can be found in the Library of Congress, Americana Collections, under the call number 7298975. https://commons.wikimedia.org/wiki/File:034-Ruins_of_the_Pyramid_of_Xochicalco.jpg
The Temple of Quetzalcoatl Re-Imagined
An interpretation over how Xochicalco's Temple of Quetzalcoatl would have looked like when it was completed in its construction. | Source: American Musuem of Natural History, "Guide Leaflet," 1901. This photo can be found in George C. Vaillant's "The Architecture of Ancient Pre-Columbian Central America," Guide Leaflet Series 88, in Artists and Craftsmen in Ancient Central America (New York: The American Museum of Natural History, 1940), 499 (or page 31 of the article). https://commons.wikimedia.org/wiki/File:Guide_leaflet_(1901)_(14766120334).jpg
Wall of the Plumed Serpent
With the plumed serpents being the most dominant figure on the Temple of Quetzalcoatl, one so that is used to narrate glyph dates and warriors featuring Mayan characteristics, one theory holds that Topiltzin Ce Acatl Quetzalcoatl (who ruled as a demi-god over Tollan), either reigned at Xochicalco following his departure from Tollan, or traced his royal lineage to Xochicalco. Under this theory, the engravings of warriors, subjugates (believed to be resembled by animals such as an alligator/crocodile, eagle, or coyote), and dates would commemorate the family history of Quetzalcoatl’s political achievements and conquests. | Source: Photograph by Giovani V, "Templo de la Serpiente Emplumada en Xochicalco," June 8, 2008. This photo is accredited to the work of Giovani V, who took a photo of the wall panel, and posted it at wikimedia commons. https://commons.wikimedia.org/wiki/File:Xochicalco_Serpiente_Emplumada_GR.jpg
A Drawing and Interpretation of the North Side Engravings on the Temple of Quetzalcoatl
Observed is a diagram drawing of the north side of the temple structure. | Source: Brantz Meyer, Mexico, As it Was and As It Is (Philadelphia: G.B. Zieber and Company, 1847), 182b. This photo is sourced from archive.org, and was posted on February 16, 2012 at wikimedia commons. https://commons.wikimedia.org/wiki/File:North_End_of_Pyramid_of_Xochicalco_-_Pg-182b.jpg
Relief Panel Illustrative of Mayan Ball-Game Attire
This relief panel, which is located at the top of the stairway, features a character wearing slippers with pompoms, and a garter tied below the right knee. The importance of this panel rests on its demonstration of knowledge about the ritual ball-game attire worn by Mayan royalty | Source: Photograph by Simon Burchell, "Xochicalco," June 23, 2015. This photo is accredited to the work of Burchell (author), who took a photo of the relief panel while visiting the site of Xochicalco, and posted it at wikimedia commons. https://commons.wikimedia.org/wiki/File:Xochicalco_26a.jpg
Xochicalco's Observatorium
Xochicalco's observatory room was created for planning all activities related to the 260-day sacred calendar (tonalpohualli) and the 365-day civic calendar (xihuitl). The glyph date of A.D. 743 engraved on the Temple of Quetzalcoatl is believed to mark the event when both these calendars coincided, which would be every 52 years. Moreover, direct light from the sun enters the cave chamber for a limited time of 105 days, which equates to 260 days of darkness, or the time duration of the sacred calendar. | Source: Photograph by Oldracoon, "Xochicalco Observatorium," July 20, 2013. This photo is accredited to the work of Oldracoon (author), who took a photo of the observatory, which is also known as the Grotto of the Sun, and posted it at wikimedia commons. https://commons.wikimedia.org/wiki/File:Xochicalco_Observatorium.JPG
The Zenith Tube of the Grotto of the Sun, or Xochicalco's Observatory
This tube is lined with stones, and reaches all the way up to the top surface of the hill, where a hexagonal-shape opening can be seen on top of the hill. The zenith passage of the sun occurs on May 14-15, and July 28-29, whereby the sun's rays would reach to the cave floor at a perpendicular angle. Furthermore, by reducing the shaft entrance of light, Xochicalco's elites could detect sun spots, even sun flares, as the zenith tube functioned as a camera-obscura. | Source: Photograph by HJPD, "Xochicalco Obs1," September 1994. This photo is accredited to the work of HJPD (author), who posted this photo at wikimedia commons. https://commons.wikimedia.org/wiki/File:Xochicalco_Obs1.jpg
Example of Offerings Discovered in the Caves of Xochicalco
Robelo described how the walls of each cave chamber were covered in an oily mortar, which would have been covered with red paint. The traces of red paint found correspond to the teeth color of Tláloc, the deity of maintenance, over flora and fauna, and cave water. Within these caves, numerous objects made of obsidian, green stones, and clay bearing the face of Tláloc has been discovered. In some cases, offerings were presented in vessels made of translucent stone such as this one, which measures 7 3/8 by 7 1/4 inches. At Xochicalco, the worship of Tláloc, a prominent figure seen in Teotihuacán, was second to Quetzalcoatl. | Source: Cleveland Museum of Art, "Offering Group: Vessel," c. 800-1200(?). This exhibit piece was gifted by Mr. and Mrs. James C. Gruener, and it is currently located at the Art of the Americas. https://commons.wikimedia.org/wiki/File:Mexico,_Guerrero(%3F),_San_Jer%C3%B3nimo_de_Ju%C3%A1rez,_Xochicalco_style_-_Offering_Group-_Vessel_-_1990.252.1_-_Cleveland_Museum_of_Art.tif